Facts and Figures of the Largest event dedicated to Italian Wine outside of Italy
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Here is the opinion of the director of the Primo Levi Center Natalia Indrimi . Should a documentary that recounts the "gestures" of 50 Italian fascist soldiers who saved a few thousands Jews to escape Fascist persecution be screened in Italian schools?
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Should a documentary that recounts the "gestures" of 50 Italian fascist soldiers who saved a few thousands Jews to escape Fascist persecution be screened in Italian schools? Here is the opinion of the director of the Primo Levi Center Natalia Indrimi
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On January 27, we gathered outside the Consulate General of Italy on Park Avenue to read the names of the thousands of Italian Jewish victims of the Holocaust. Here are some of the most precious moments we experienced on that day. OUR VIDEO IS COMING NEXT WEEK. STAY TUNED!
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The exhibit De/Portees by the contemporary artist Jack Sal opened on January 27 2010 at The Italian Cultural Institute, during the annual reading of the names of the deported Italian Jews. The multi-screen projections conveyed the sense of displacement evoked by the Shoah.
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The exhibit De/Portees by the contemporary artist Jack Sal opened on January 27 2010 at The Italian Cultural Institute, during the annual reading of the names of the deported Italian Jews. The multi-screen projections conveyed the sense of displacement evoked by the Shoah.
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“Who, or more precisely, what is an Italian American? To some self-appointed arbiters of italianità, the answer is: Roman Catholic, conservative, and indisputably heterosexual.” If we have learned anything from the ongoing scrutiny of the Italian-American “experience” it is that said experience is any thing but singular. Italian-American histories and cultures are diverse, multifaceted, and ever open to new interpretations and revisions.
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“Who, or more precisely, what is an Italian American? To some self-appointed arbiters of italianità, the answer is: Roman Catholic, conservative, and indisputably heterosexual.” If we have learned anything from the ongoing scrutiny of the Italian-American “experience” it is that said experience is any thing but singular. Italian-American histories and cultures are diverse, multifaceted, and ever open to new interpretations and revisions.
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"Toccata & Fuga" was presented on January 21 at Saint Patrick’s Cathedral on 5th Avenue. Tourists and New Yorkers stopped by and enjoyed Italian masterpieces of all times. The event was organized by the Deputy Mayor of Rome Mauro Cutrufo and the Italian Government Tourist Board in New York
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This colloquium is not about the MTV show “Jersey Shore” and it does not justify it in any manner. This colloquium is about the phenomenon of the “Guido” that, regardless of its merits or lack thereof, has its origins and is associated with Italians in America. Whether one likes it or not, this component of Italian-American youth—an articulation of cultural expression, call it what one wishes—does exist. We are not asking anyone “to accept” this or any other “sub-culture” that may exist in the Italian-American community. Yet, precisely because this culture has been show-cased on television, and precisely because it has remained unknown to many, we need to be sure that we can speak to it in an informed manner.
